Browsing by Subject "Vallone, Raf"

Bonfiglio (Folco Lulli) climbs up a hill and looks onward

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Bonfiglio (Folco Lulli) stands in the woods while aiming his gun offscreen

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Francesco Dominici rests his hand on the shoulder of a girl and looks on

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Francesco (Raf Vallone) and Lucia (Lucia Bose) sit in front of a cave and look offscreen

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Francesco (Raf Vallone) holds his gun under one arm and talks with another man

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Francesco (Raf Vallone) leans against a tree trunk and aims his gun

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Francesco (Raf Vallone) looks on as the people around him raise their arms above their heads

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Francesco (Raf Vallone) stands on a rock holding a gun and looks on

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

A group of men look offscreen holding guns in the woods

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Lucia (Lucia Bose) gazes at the ground as she marches through an alley on the arm of Bonfiglio (Folco Lulli)

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Lucia (Lucia Bose) looks off screen while Bonfiglio (Folco Lulli) pours wine and talks with another man in the background

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Lucia (Lucia Bose) pulls at her veil while an older woman watches

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Maria Grazia (Maria Grazia Fancia) closes her eyes and puts a hand to her ear as a man watches her

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Maria Grazia (Maria Grazia Francia) looks frightened as Bonfiglio (Folco Lulli) looms above her

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Maria Grazia (Maria Grazia Francia) looks off screen as Bonfiglio (Folco Lulli) watches from behind and points his gun at her

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Maria Grazia (Maria Grazia Francia) puts her arm around an old woman while sitting on a bench

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Maria Grazia (Maria Grazia Francia) stands in front of a flock of sheep looking concerned

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Maria Grazia (Maria Grazia Francia) stands with pack on her back and looks on

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

An older man and woman sitting in a barn look on

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

A train of people carrying banners continue on a winding path

De Santis, Giuseppe, 1917-1997 (Z. Smith Reynolds Library, Wake Forest University, 1950)

This film is a moralistic tale of the privileged and underprivileged, in which shepherds break out of their cycle of fatalism and resignation.Patterned on a folk tale, the characters are divided into good and bad types.

Browsing by Subject "Vallone, Raf"

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