Item Details

abstract

The recent turn toward environmental studies in humanities scholarship, has contributed to an influx of Shakespearean scholarship that centers on the "natural." Macbeth has long been identified as Shakespeare's most `natural' play. The text is riddled with references to weather, animals, and nature which have made it a popular text to explore from an ecocritical perspective. While a good deal of scholarly work has considered notions of the uncanny and the animal in Macbeth, few scholars have connected these ideas with notions of the primitive, a concept worth exploring as a connection to a `natural,' or undeveloped, sentiment that resonates with the emergence of a green Shakespeare. Macbeth offers a primitivism in which the primitive figure confronts the early modern subject as opposed to being summoned from a retrospective sentimentality. To illuminate this reading, I look primarily at encounters with figures embodying the primitive sensibilities the early modern subject would have been expected to have surmounted, namely, the ability to reason and act in accordance with morality rather than instinct.

subject

baboon

Macbeth

Okavango

primitivism

species

uncanny

contributor

Neal, Jamie Paige (author)

Harlan, Susan (committee chair)

Overing, Gillian (committee member)

Valbuena, Olga (committee member)

date

2012-09-05T08:35:19Z (accessioned)

2012-09-05T08:35:19Z (available)

2012 (issued)

degree

English (discipline)

identifier

http://hdl.handle.net/10339/37438 (uri)

language

en (iso)

publisher

Wake Forest University

title

Primitivism and The Animal in Shakespeare's Macbeth

type

Thesis