<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-20T20:41:09Z</responseDate><request verb="GetRecord" identifier="oai:wakespace.lib.wfu.edu:10339/90754" metadataPrefix="dim">https://wakespace.lib.wfu.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:null:10339/90754</identifier><datestamp>2026-09-02T12:14:24Z</datestamp><setSpec>com_10339_14934</setSpec><setSpec>col_10339_38132</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">King, Rachel Nicole</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2018-05-24T08:36:18Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2018-05-24T08:36:18Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2018</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">https://wakespace.lib.wfu.edu/handle/10339/90754</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">This thesis analyzes the maternal body and its relationship to language in three &#xd;
21&#xd;
st&#xd;
century plays: Cherríe Moraga’s &#xd;
Hungry Woman: A Mexic&#xd;
an &#xd;
Medea, Suzan&#xd;
-&#xd;
Lori Parks’s &#xd;
Red Letter Plays&#xd;
,&#xd;
and Tony Kushner’s &#xd;
Homebody/Kabul&#xd;
. In order to &#xd;
examine the maternal body and its position as a highly stigmatized object, my &#xd;
thesis will weave together three diverse theatrical presentations from 21st century&#xd;
playwrights in order to both compose a complex and racially&#xd;
-&#xd;
diverse &#xd;
understanding of the maternal body on the modern, political 21st century stage &#xd;
and explore the implications each rendering poses to women’s issues in the 21st &#xd;
century. Language, race, and&#xd;
the maternal body continuously shift, define, and &#xd;
redefine the meaning of self, the making of a subject, and the political and social &#xd;
relevance of the body in question. Thus, this thesis is an attempt to engage &#xd;
playwrights of different racial and ethnic b&#xd;
ackgrounds as they explore the &#xd;
iii&#xd;
maternal body as an agent of historical and political relevance. This thesis &#xd;
engages critics with an interest in the female or maternal body. The primary &#xd;
critics used are Elizabeth Grosz, for her critical engagement with a co&#xd;
rporeal &#xd;
feminism that is defined outside of traditional binaries, and Julia Kristeva, for her &#xd;
theories on the maternal body, language, and abjection. In addition, this thesis &#xd;
performs a reading of multilingualism as a form of resistance or resolution in &#xd;
Mo&#xd;
raga and Kushner, respectively. This thesis concludes that the maternal body is &#xd;
an imperative force and one that is used to convey different social, linguistic, and &#xd;
cultural boundaries. In these three plays, the maternal body serves as a space for &#xd;
resistan&#xd;
ce as well as possibility, highlighting the cultural relevance of the &#xd;
maternal body in its many forms.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">en</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Wake Forest University</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Language</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Maternal Body</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Race</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Speaking of the Body: The Maternal Body, Race, and Language in the Plays of Cherrie Moraga, Suzan-Lori Parks, and Tony Kushner</dim:field>
   <dim:field mdschema="dc" element="type" lang="en_US">Thesis</dim:field>
   <dim:field mdschema="thesis" element="contributor" qualifier="committeeChair" lang="en_US">Franco, Dean J</dim:field>
   <dim:field mdschema="thesis" element="contributor" qualifier="committeeMember" lang="en_US">Hena, Omaar</dim:field>
   <dim:field mdschema="thesis" element="contributor" qualifier="committeeMember" lang="en_US">Davis, Brook</dim:field>
   <dim:field mdschema="thesis" element="degree" qualifier="discipline" lang="en_US">English</dim:field>
   <dim:field mdschema="others" element="access-status">open.access</dim:field>
</dim:dim>
</metadata></record></GetRecord></OAI-PMH>